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REVIEWS
OF EXHIBITIONS |
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Ken Johnson, “From Carved Creatures to Disneyland Rugs,” Boston Globe,
September 24, 2006 |
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Carole Van Sickle, “The Space Between,” UGA Research Magazine, UGA Research
Foundation, June 2006 |
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Cate McQuaid, “Marks of Distinction,” Boston Globe, February 9,
2006, ill.
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Max Halperon, “Homegrown: Southeast at the Southeastern Center for
Contemporary Art", Art Papers, November/December 2005, p. 50-51 |
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Tom Patterson, “SECCA’s ‘Homegrown’ Exhibition is a Feast of Provocative Works,” Winston Salem Journal, September 11, 2005 |
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Ellen Sung, “More than Meets the Eye,” The Raleigh News and Obsever, July 31,
2005, ill. |
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Diane Armitage, “Draw: Dwight Hackett Projects,” THE Magazine: Santa Fe’s Monthly Magazine of the Arts, May 2005
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Zane Fisher, “Drawing
for Content,” Santa Fe Reporter, April 6-12, 2005 |
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Elizabeth Cook-Romero, “Gallerywise:
Dwight Hackett Projects,” Pasatiempo: The New Mexican’s Weekly Magazine of Arts, Entertainment, and Culture, April 1-7, 2005, p.54 |
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“Previews,” THE
Magazine: Santa Fe’s Monthly Magazine of the Arts, April 2005, p. 32, ill. |
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Jerry Cullum, “Technology
and Craftsmanship in Delicate Balance,” Atlanta Journal Constitution, March 13, 2005 |
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Cathy Byrd, "Under
the Surface: Imi Hwangbo," Sculpture Magazine,
January/February 2005, p. 23-4, ill. |
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Catherine
Fox, "Works United in Having Wonderfully Disparate
Voices," Atlanta Journal Constitution, January
25, 2004, ill. |
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Catherine
Fox, "Atlanta Art-a-thon," Atlanta Journal
Constitution, January 11, 2004, ill. |
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Michael
O'Sullivan, "Weekend's Best: 'Flora' at the U.S. Botanic
Garden," The Washington Post, January 30, 2004 |
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WETA
on the Town, PBS. WETA, Washington, D.C., January
29, 2004 |
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L.Kent
Wolgamott, "Back to the Drawing Board," Lincoln
Journal Star, January 26, 2004 |
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Ferdinand
Protzman, "Imi Hwangbo: Sculpture," The Washington
Post, April 16, 1998 Ruth
Latter, "Second Street Uncovers Layers of Talent," The
Daily
Progress, Charlottesville, Virginia, January 16, 2004, ill. |
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Artful
Atlanta," The Best for the Contemporary Traveler Feature
Section, Sky Magazine, Delta Airlines,
January 2004, ill. |
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.Catherine
Fox, "Campus Sit-in: Diverse, Provocative Creations
Stand their Ground at Emory," Atlanta Journal Constitution,
March 28, 2003 |
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Robin
Dana, "Visceral: Images of the Internal Body," Artpapers,
May/June 2003 |
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Cate
O'Hara, "Imi Hwangbo: New Work," Dialogue, March/April
2000, ill. |
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Cathy
Byrd, "Red on Red: Minimalist Sculpture Featured at
Kiang," Creative Loafing, March 26, 1999, ill |
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Catherine
Fox, "Rubber Sculptures, Catchy Confidence," Atlanta
Journal Constitution, March 26, 1999, ill. |
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Cathy
Byrd, "Folds," Artpapers, November/December
1998, ill. |
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Glenn
Harper (Sculpture Magazine editor), "Imi Hwangbo
at Gallery 10," Sculpture Magazine, September
1998, ill. |
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Jerry
Cullum, "Looking Between 'Folds' Illuminates Craft's
Direction," Atlanta Journal Constitution, July
31, 1998 |
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Robin
Rice, "Watching the Weather at Schmidt/Dean," Philadelphia
City Paper, July 10-16 |
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Gerard
Brown, "Attack of the Killer Summer Shows!" Philadelphia
Weekly, July 8, 1998 |
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Jean
Cohen, "Body Conscious," Where Magazine, Washington,
D.C., April 1998, ill. |
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Ken
Oda, "Imi Hwangbo: The Waiting Chamber," KOAN (Ken
Oda's Art Newsletter), Washington, D.C., April 1998,
ill. |
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A.M. Weaver, "The Waiting
Chamber" catalogue essay, April 1998 |
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James Aur, "Exhibit Weaves
Strands of Memory," Milwaukee Journal Sentinel,
March 5, 1998 |
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Diane Heilenman, "Viewpoints," Louisville
Courier-Journal, February 4, 1996, ill. |
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Carolee Weglarz, "Colby
Art Impresses and Entertains," Central Maine Morning
Sentinel, November 20 & 21, 1993, ill. |
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Roger Anderson, "'The
New Genre' at the Berkeley Art Center," Bay Area
Express, January 12, 1990 |
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all images
copyright Imi Hwangbo no reproduction without written permission.
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