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SOLO EXHIBITIONS |
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2008 |
New Work, Dwight Hackett Projects, Santa Fe, New Mexico |
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2007 |
New Work, Miller Block Gallery, Boston, Massachusetts |
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2005 |
Constructed
Drawings, Kiang Gallery, Atlanta, Georgia. |
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2004 |
Device for
Not Being, Hiestand Gallery, Miami University of Ohio, Oxford,
Ohio |
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1999 |
New Work, Chidlaw Gallery, Cincinnati, Ohio |
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1999 |
New Work, Kiang Gallery, Atlanta,
Georgia |
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1998 |
The
Waiting Chamber, Artemisia,
Chicago, Illinois |
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1998 |
The
Waiting Chamber, Gallery 10,
Washington, D.C. |
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TWO-PERSON AND GROUP EXHIBITIONS |
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2008 |
Imi Hwangbo and Jae Ko, David Winton Bell Gallery, Brown University,
Providence, Rhode Island |
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2007 |
Contemporary Printmaking at the Crossroads, George Segal Gallery, Montclair
State University, Montclair, New Jersey |
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2007 |
Works on Paper, Art Fair, Seventh Regiment Armory, New York, New York |
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2006 |
Scope, New York, New York |
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2006 |
Garden, Visual Arts Center of Richmond, Richmond, Virginia
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2006 |
The New Collage, Pavel
Zoubok Gallery, New York, New York |
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2006 |
Cutting, Miller
Block Gallery, Boston, Massachusetts |
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2005 |
Draw, Dwight
Hackett Projects, Santa Fe, New Mexico |
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2005 |
Homegrown: Southeast,
Southeastern Center for Contemporary Art, Winston-Salem,
North Carolina.
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2004 |
Art
on Paper,
Weatherspoon Art Museum, University of North
Carolina at Greensboro, Greensboro, North Carolina |
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2004 |
Drawn
into Light: Works
with Paper by Imi Hwangbo and Kay
Hwang, Second Street Gallery, Charlottesville, Virginia. Exhibition
essay by Lilly Wei, New York |
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2004 |
New Prints
Spring 2004, International Print Center, New York, New York.
Guest Curator: Barry Walker, Curator of Prints
and Drawings, Museum of Fine Arts, Houston |
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2004 |
Under
Different Circumstances, Atlanta
Contemporary Art Center, Atlanta, Georgia |
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2004 |
Flora,
U.S. Botanical Garden, Washington, D.C., curated by
Virginia
Mecklenberg and Lillian Fitzgerald, catalogue |
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2004 |
Contemporary
Drawing, University of Nebraska
at Lincoln, Lincoln, Nebraska |
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2003 |
Kiang
Inaugural Exibition, Kiang
Gallery, Atlanta, Georgia |
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2003 |
Emory
Chairs Project, Emory University,
Atlanta, Georgia |
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2003 |
Visceral,
Athens Institute for contmporary Art, Athens, Georgia |
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2002 |
Summer
Show, Kiang Gallery, Atlanta,
Georgia |
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2001 |
Impact,
Georgia Museum of Art, Athens, Georgia |
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1998 |
Us,
Schmidt/Dean Galllery, Philadelphia, Pennsylvania |
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1998 |
East
of the Sun, Milwaukee Institute
of Art and Design, Milwaukee, Wisconsin, curated by
Jason Yi, catalogue |
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1998 |
Constructions
in Multiple Hues, Painted
Bride Art Center, Philadelphia, Pennsylvania, curated
by A.M.Weaver, catalogue |
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1998 |
Folds,
Kiang Gallery, Atlanta, Georgia |
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1997 |
Showcase
'97, Alternative Museum, New
York, New York |
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1997 |
New
Work, Spacelab Gallery, SPACES,
Cleveland, Ohio |
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1996 |
Across
the Miles, Korean Cultural
Center, Los Angeles, California |
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1996 |
Faculty
Exhibition, University of
Louisville, Louisville, Kentucky |
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1993 |
Faculty Exhibition,
Colby College Museum of Art, Waterville, Maine |
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1991 |
Master of Fine Arts
Exhibition, Stanford University,
Stanford, California |
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1990 |
A Stanford Perspective,
Rococo Gallery, San Francisco, California 1990 The
New Genre, Berkely Art Center, Berkely, California |
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ARTIST RESIDENCIES |
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2005 |
Artist Fellowship,
The MacDowell Colony, Peterborough, New Hampshire |
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2001 |
Artist-in-Residence,
The Camargo Foundation, Cassis, France Supported by
a grant from the Andy Warhol Foundation |
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2000 |
Artist-in-Residence,
The Bemis Center for Contemporary Art, Omaha, Nebraska |
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1998 |
Artist
Fellowship, Yaddo, Saratoga Springs, New York |
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1997 |
Artist
Fellowship, Yaddo, Saratoga Springs, New York Supported
by a grant from the Kentucky Foundation for Women |
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1996 |
Visiting
Artist Residency, American Academy in Rome, Italy |
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1994 |
Artist-in-Residence,
Sculpture Space, Utica, New York |
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1991 |
Artist-in-Residence,
Duncan of Jordanstone College of Art, Dundee, Scotland |
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REVIEWS OF
EXHIBITIONS |
|
 
Ken Johnson, “From Carved Creatures to Disneyland Rugs,” Boston Globe,
September 24, 2006
Carole Van Sickle, “The Space Between,” UGA Research Magazine, UGA Research
Foundation, June 2006
Cate McQuaid, “Marks of Distinction,” The Boston Globe, February 9,
2006, ill.
Max Halperon, “Homegrown: Southeast at the Southeastern Center for
Contemporary Art, Art Papers, November/December 2005, p. 50-51
Tom Patterson, “SECCA’s ‘Homegrown’ Exhibition is a Feast of Provocative Works,” Winston Salem Journal, September 11, 2005
Ellen Sung, “More than Meets the Eye,” The Raleigh News and Obsever,” July 31,
2005, ill.
Diane Armitage, “Draw: Dwight Hackett Projects,” THE Magazine: Santa Fe’s Monthly Magazine of the Arts, May 2005
Jerry Cullum, “Technology and Craftsmanship in Delicate Balance,” Atlanta
Journal Constitution, March 13, 2005, ill.
Cathy Byrd, “Under the Surface: Imi Hwangbo,” Sculpture Magazine, January/February 2005, p. 23-4, ill.
Catherine
Fox, "Works United in Having Wonderfully Disparate Voices,"
Atlanta Journal Constitution, January 25, 2004,
ill.
Catherine
Fox, "Atlanta Art-a-thon," Atlanta Journal
Constitution, January
11, 2004, ill.
Michael
O'Sullivan, "Weekend's Best: 'Flora' at the U.S. Botanic
Garden," The Washington Post, January 30, 2004  
WETA
on the Town, PBS. WETA, Washington, D.C., January 29,
2004
L.Kent
Wolgamott, "Back to the Drawing Board," Lincoln Journal Star, January 26, 2004
"Artful
Atlanta," The Best for the Contemporary Traveler Feature
Section, Sky Magazine, Delta Airlines,
January 2004, ill.
Catherine
Fox, "Campus Sit-in: Diverse, Provocative Creations Stand
their Ground at Emory," Atlanta Journal Constitution,
March 28, 2003
Robin
Dana, "Visceral: Images of the Internal Body," Artpapers,
May/June 2003
Cate
O'Hara, "Imi Hwangbo: New Work," Dialogue, March/April
2000, ill.
Cathy
Byrd, "Red on Red: Minimalist Sculpture Featured at Kiang,"
Creative Loafing, March 26, 1999, ill.
Catherine
Fox, "Rubber Sculptures, Catchy Confidence," Atlanta
Journal Constitution, March 26, 1999, ill.
Cathy
Byrd, "Folds," Artpapers, November/December 1998,
ill.
Glenn
Harper (Sculpture Magazine editor), "Imi Hwangbo
at Gallery 10," Sculpture Magazine, September 1998,
ill.
Jerry
Cullum, "Looking Between 'Folds' Illuminates Craft's Direction,"
Atlanta Journal Constitution, July 31, 1998
Robin
Rice, "Watching the Weather at Schmidt/Dean,"
Philadelphia City Paper, July 10-16
Gerard
Brown, "Attack of the Killer Summer Shows!" Philadelphia
Weekly, July 8, 1998
Ferdinand
Protzman, "Imi Hwangbo: Sculpture," The Washington
Post, April 16, 1998
Jean
Cohen, "Body Conscious," Where Magazine, Washington,
D.C., April 1998, ill.
Ken
Oda, "Imi Hwangbo: The Waiting Chamber," KOAN (Ken
Oda's Art Newsletter), Washington, D.C., April 1998, ill.
A.M.
Weaver, "The Waiting Chamber" catalogue essay, April 1998
James
Aur, "Exhibit Weaves Strands of Memory," Milwaukee
Journal Sentinel, March 5, 1998
Diane
Heilenman, "Viewpoints," Louisville Courier-Journal,
February 4, 1996, ill.
Carolee
Weglarz, "Colby Art Impresses and Entertains," Central
Maine Morning Sentinel, November 20 & 21, 1993, ill.
Roger Anderson, "'The New Genre' at the Berkeley Art Center,"
Bay Area Express, January 12, 1990 |
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GALLERY REPRESENTATION |
|
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Dwight Hackett Projects, Santa Fe, New Mexico
Miller Block
Gallery, Boston, Massachusetts
Kiang
Gallery, Atlanta, Georgia |
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SELCTED
AWARDS |
|
2005 M.G. Michael Award, College of Arts and Sciences, University of
Georgia
2001Camargo Artist Fellowship
Grant, The Andy Warhol Foundation
2000Artist Fellowship Grant,
The Bemis Center for Contemporary Art
1998Individual Artist Grant,
The Kentucky Foundation for Women
1997Al Smith Fellowship in
the Visual Arts, The Kentucky Arts Council
1991Reynolds Grant for Overseas
Study, Dartmouth College
1990Korean Honor Scholarship,
Korean Embassy    |
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VISITING
ARTIST LECTURES |
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2005 Print Cocktail, 93rd Annual College Art Association Conference,
Atlanta, Georgia
   2004Gallery Talk, Second Street Gallery, Charlottesville, Virginia   
2004 Global Ambitions: Art, Culture, and National Identity in South Korea,”
Atlanta College of Art Symposium, Oglethorpe University Museum of Art,
Atlanta, Georgia.    
2004Artist Lecture, Miami University of Ohio,
Oxford, Ohio    
2001The Camargo Foundation,
Cassis, France    
2000The Bemis Center for
Contemporary Art, Omaha, Nebraska    
1999Art Academy of Cincinnati,
Cincinnati, Ohio    
1997Milwaukee Institute of
Art and Design, Milwaukee, Wisconsin     
1997 University
of Kentucky, Lexington, Kentucky      
1993 Art
Institute of Boston, Boston, Massachusetts      
1991 Gray's
School of Art, Aberdeen, Scotland |
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ACADEMIC
APPOINTMENT |
|
| 2001-Associate
Professor of Sculpture, University of Georgia, Athens,
Georgia |
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COLLECTIONS |
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Coca-Cola, Atlanta, Georgia
The Fidelity Bank Collection, Boston, Massachusetts
The John Grisham Collection, Charlottesville,
Virginia |
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all images copyright Imi Hwangbo no reproduction without written permission.
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