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SOLO EXHIBITIONS |
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2008 |
New Work, Dwight Hackett Projects, Santa Fe, New Mexico |
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2007 |
New Work, Miller Block Gallery, Boston, Massachusetts |
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2005 |
Constructed
Drawings, Kiang Gallery, Atlanta, Georgia. |
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2004 |
Device for
Not Being, Hiestand Gallery, Miami University of Ohio, Oxford,
Ohio |
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1999 |
New Work, Chidlaw Gallery, Cincinnati, Ohio |
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1999 |
New Work, Kiang Gallery, Atlanta,
Georgia |
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1998 |
The
Waiting Chamber, Artemisia,
Chicago, Illinois |
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1998 |
The
Waiting Chamber, Gallery 10,
Washington, D.C. |
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TWO-PERSON AND GROUP EXHIBITIONS |
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2008 |
Imi Hwangbo and Jae Ko, David Winton Bell Gallery, Brown University,
Providence, Rhode Island |
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2007 |
Contemporary Printmaking at the Crossroads, George Segal Gallery, Montclair
State University, Montclair, New Jersey |
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2007 |
Works on Paper, Art Fair, Seventh Regiment Armory, New York, New York |
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2006 |
Scope, New York, New York |
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2006 |
Garden, Visual Arts Center of Richmond, Richmond, Virginia
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2006 |
The New Collage, Pavel
Zoubok Gallery, New York, New York |
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2006 |
Cutting, Miller
Block Gallery, Boston, Massachusetts |
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2005 |
Draw, Dwight
Hackett Projects, Santa Fe, New Mexico |
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2005 |
Homegrown: Southeast,
Southeastern Center for Contemporary Art, Winston-Salem,
North Carolina.
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2004 |
Art
on Paper,
Weatherspoon Art Museum, University of North
Carolina at Greensboro, Greensboro, North Carolina |
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2004 |
Drawn
into Light: Works
with Paper by Imi Hwangbo and Kay
Hwang, Second Street Gallery, Charlottesville, Virginia. Exhibition
essay by Lilly Wei, New York |
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2004 |
New Prints
Spring 2004, International Print Center, New York, New York.
Guest Curator: Barry Walker, Curator of Prints
and Drawings, Museum of Fine Arts, Houston |
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2004 |
Under
Different Circumstances, Atlanta
Contemporary Art Center, Atlanta, Georgia |
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2004 |
Flora,
U.S. Botanical Garden, Washington, D.C., curated by
Virginia
Mecklenberg and Lillian Fitzgerald, catalogue |
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2004 |
Contemporary
Drawing, University of Nebraska
at Lincoln, Lincoln, Nebraska |
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2003 |
Kiang
Inaugural Exibition, Kiang
Gallery, Atlanta, Georgia |
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2003 |
Emory
Chairs Project, Emory University,
Atlanta, Georgia |
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2003 |
Visceral,
Athens Institute for contmporary Art, Athens, Georgia |
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2002 |
Summer
Show, Kiang Gallery, Atlanta,
Georgia |
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2001 |
Impact,
Georgia Museum of Art, Athens, Georgia |
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1998 |
Us,
Schmidt/Dean Galllery, Philadelphia, Pennsylvania |
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1998 |
East
of the Sun, Milwaukee Institute
of Art and Design, Milwaukee, Wisconsin, curated by
Jason Yi, catalogue |
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1998 |
Constructions
in Multiple Hues, Painted
Bride Art Center, Philadelphia, Pennsylvania, curated
by A.M.Weaver, catalogue |
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1998 |
Folds,
Kiang Gallery, Atlanta, Georgia |
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1997 |
Showcase
'97, Alternative Museum, New
York, New York |
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1997 |
New
Work, Spacelab Gallery, SPACES,
Cleveland, Ohio |
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1996 |
Across
the Miles, Korean Cultural
Center, Los Angeles, California |
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1996 |
Faculty
Exhibition, University of
Louisville, Louisville, Kentucky |
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1993 |
Faculty Exhibition,
Colby College Museum of Art, Waterville, Maine |
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1991 |
Master of Fine Arts
Exhibition, Stanford University,
Stanford, California |
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1990 |
A Stanford Perspective,
Rococo Gallery, San Francisco, California 1990 The
New Genre, Berkely Art Center, Berkely, California |
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ARTIST RESIDENCIES |
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2005 |
Artist Fellowship,
The MacDowell Colony, Peterborough, New Hampshire |
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2001 |
Artist-in-Residence,
The Camargo Foundation, Cassis, France Supported by
a grant from the Andy Warhol Foundation |
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2000 |
Artist-in-Residence,
The Bemis Center for Contemporary Art, Omaha, Nebraska |
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1998 |
Artist
Fellowship, Yaddo, Saratoga Springs, New York |
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1997 |
Artist
Fellowship, Yaddo, Saratoga Springs, New York Supported
by a grant from the Kentucky Foundation for Women |
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1996 |
Visiting
Artist Residency, American Academy in Rome, Italy |
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1994 |
Artist-in-Residence,
Sculpture Space, Utica, New York |
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1991 |
Artist-in-Residence,
Duncan of Jordanstone College of Art, Dundee, Scotland |
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REVIEWS OF
EXHIBITIONS |
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Ken Johnson, “From Carved Creatures to Disneyland Rugs,” Boston Globe,
September 24, 2006 |
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Carole Van Sickle, “The Space Between,” UGA Research Magazine, UGA Research
Foundation, June 2006 |
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Cate McQuaid, “Marks of Distinction,” The Boston Globe, February 9,
2006, ill. |
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Max Halperon, “Homegrown: Southeast at the Southeastern Center for
Contemporary Art, Art Papers, November/December 2005, p. 50-51 |
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Tom Patterson, “SECCA’s ‘Homegrown’ Exhibition is a Feast of Provocative Works,” Winston Salem Journal, September 11, 2005 |
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Ellen Sung, “More than Meets the Eye,” The Raleigh News and Obsever,” July 31,
2005, ill. |
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Diane Armitage, “Draw: Dwight Hackett Projects,” THE Magazine: Santa Fe’s Monthly Magazine of the Arts, May 2005 |
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Jerry Cullum, “Technology and Craftsmanship in Delicate Balance,” Atlanta
Journal Constitution, March 13, 2005, ill. |
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Cathy Byrd, “Under the Surface: Imi Hwangbo,” Sculpture Magazine, January/February 2005, p. 23-4, ill. |
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Catherine
Fox, "Works United in Having Wonderfully Disparate Voices,"
Atlanta Journal Constitution, January 25, 2004,
ill. |
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Catherine
Fox, "Atlanta Art-a-thon," Atlanta Journal
Constitution, January
11, 2004, ill. |
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Michael
O'Sullivan, "Weekend's Best: 'Flora' at the U.S. Botanic
Garden," The Washington Post, January 30, 2004 |
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WETA
on the Town, PBS. WETA, Washington, D.C., January 29,
2004 |
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L.Kent
Wolgamott, "Back to the Drawing Board," Lincoln Journal Star, January 26, 2004 |
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"Artful
Atlanta," The Best for the Contemporary Traveler Feature
Section, Sky Magazine, Delta Airlines,
January 2004, ill. |
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Catherine
Fox, "Campus Sit-in: Diverse, Provocative Creations Stand
their Ground at Emory," Atlanta Journal Constitution,
March 28, 2003 |
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Robin
Dana, "Visceral: Images of the Internal Body," Artpapers,
May/June 2003 |
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Cate
O'Hara, "Imi Hwangbo: New Work," Dialogue, March/April
2000, ill. |
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Cathy
Byrd, "Red on Red: Minimalist Sculpture Featured at Kiang,"
Creative Loafing, March 26, 1999, ill. |
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Catherine
Fox, "Rubber Sculptures, Catchy Confidence," Atlanta
Journal Constitution, March 26, 1999, ill. |
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Cathy
Byrd, "Folds," Artpapers, November/December 1998,
ill. |
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|
|
Glenn
Harper (Sculpture Magazine editor), "Imi Hwangbo
at Gallery 10," Sculpture Magazine, September 1998,
ill. |
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Jerry
Cullum, "Looking Between 'Folds' Illuminates Craft's Direction,"
Atlanta Journal Constitution, July 31, 1998 |
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Robin
Rice, "Watching the Weather at Schmidt/Dean,"
Philadelphia City Paper, July 10-16 |
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Gerard
Brown, "Attack of the Killer Summer Shows!" Philadelphia
Weekly, July 8, 1998 |
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Ferdinand
Protzman, "Imi Hwangbo: Sculpture," The Washington
Post, April 16, 1998 |
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Jean
Cohen, "Body Conscious," Where Magazine, Washington,
D.C., April 1998, ill. |
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Ken
Oda, "Imi Hwangbo: The Waiting Chamber," KOAN (Ken
Oda's Art Newsletter), Washington, D.C., April 1998, ill. |
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A.M.
Weaver, "The Waiting Chamber" catalogue essay, April 1998 |
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James
Aur, "Exhibit Weaves Strands of Memory," Milwaukee
Journal Sentinel, March 5, 1998 |
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Diane
Heilenman, "Viewpoints," Louisville Courier-Journal,
February 4, 1996, ill. |
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Carolee
Weglarz, "Colby Art Impresses and Entertains," Central
Maine Morning Sentinel, November 20 & 21, 1993, ill. |
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Roger Anderson, "'The New Genre' at the Berkeley Art Center,"
Bay Area Express, January 12, 1990 |
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GALLERY REPRESENTATION |
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Dwight Hackett Projects, Santa Fe, New Mexico
Miller Block
Gallery, Boston, Massachusetts
Kiang
Gallery, Atlanta, Georgia |
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| |
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SELCTED
AWARDS |
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| |
2005 |
M.G. Michael Award, College of Arts and Sciences, University of
Georgia
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2001 |
Camargo Artist Fellowship
Grant, The Andy Warhol Foundation |
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2000 |
Artist Fellowship Grant,
The Bemis Center for Contemporary Art |
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1998 |
Individual Artist Grant,
The Kentucky Foundation for Women |
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1997 |
Al Smith Fellowship in
the Visual Arts, The Kentucky Arts Council |
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1991 |
Reynolds Grant for Overseas
Study, Dartmouth College |
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1990 |
Korean Honor Scholarship,
Korean Embassy |
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VISITING
ARTIST LECTURES |
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| |
2005 |
Print Cocktail, 93rd Annual College Art Association Conference,
Atlanta, Georgia
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2004 |
Gallery Talk, Second Street Gallery, Charlottesville, Virginia |
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| |
2004 |
Global Ambitions: Art, Culture, and National Identity in South Korea,”
Atlanta College of Art Symposium, Oglethorpe University Museum of Art,
Atlanta, Georgia. |
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| |
2004 |
Artist Lecture, Miami University of Ohio,
Oxford, Ohio |
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2001 |
The Camargo Foundation,
Cassis, France |
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2000 |
The Bemis Center for
Contemporary Art, Omaha, Nebraska |
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1999 |
Art Academy of Cincinnati,
Cincinnati, Ohio |
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1997 |
Milwaukee Institute of
Art and Design, Milwaukee, Wisconsin |
|
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1997 |
University
of Kentucky, Lexington, Kentucky |
|
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1993 |
Art
Institute of Boston, Boston, Massachusetts |
|
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1991 |
Gray's
School of Art, Aberdeen, Scotland |
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| |
ACADEMIC
APPOINTMENT |
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| |
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| |
2001- |
Associate
Professor of Sculpture, University of Georgia, Athens,
Georgia |
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COLLECTIONS |
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| |
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| |
Coca-Cola, Atlanta, Georgia |
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| |
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| |
The Fidelity Bank Collection, Boston, Massachusetts |
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| |
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| |
The John Grisham Collection, Charlottesville,
Virginia |
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| |
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all images copyright Imi Hwangbo no reproduction without written permission.
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OPEN
RESUME AS .PDF FILE